This image was taken last weekend at the Oregon coast while visiting the family in Lincoln City. That visit coincided with some unusually nice weather that provided two straight outstanding sunrises and sunsets. To take advantage of that, I headed on several occasions to Spanish Head at the south end of the town and walked out to the remains of an ancient lava flow that extends from the beach out into the water. It’s a gorgeous spot with a ton of rocks, both individual and in clusters, that provide foreground interest, while the main lava flow can be used as a background or as the main focal point of the shot. In this image, though, I found a nice rock on my way back home and stopped to take a few extra frames. The water flow of this wave, which was less than a foot high, proved to be perfect for the shutter speed I was using. It also overflowed my boots, but since that already had taken place earlier in the morning it wasn’t too much hassle.
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Elowah Falls in the Columbia River Gorge is one of the most easily accessible of the major waterfalls near the Portland metropolitan area. You still have to get your feet wet to take full advantage of this spot as a photographer, though, which is where things get really fun. On this day, though, I was kind of stuck for compositional ideas and ended making compromises that I didn’t like with regard to placing different elements in different spots. Plus, this waterfall always is a challenge to expose properly because of the tree cover shading the creek below this huge boulder to the left. That relative window into the amphitheater of basalt and lichen, though, is one of my favorite views in the entire Gorge and I never tire of seeing it.
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I really enjoy shooting cityscape images during the blue hour. Portland is one of the best places around for this, because the fantastic – and numerous – bridges spanning the Willamette River lend themselves to endless compositions. And because of the many old docks, pilings and other remnants of Portland’s past littering the east bank of the river, the place has history to spare. At least by the relatively limited standards of the western United States. But I digress.
In this shot, I found a solitary piling sticking its head above the water in between the concrete chunks that once formed the ferry landing. It made a nice compositional anchor for my foreground, while I used my iPhone to paint the concrete and rocks with light to give it a little extra glow and bring out detail. I’m enjoying this kind of subtle light painting recently, as it gives a nice touch to foreground elements at night that otherwise might be lost or missed.
Thanks for viewing, and please feel free to leave, commentary, critique or suggestions on where to shoot in the future. I love finding new – to me – spots and scenery, so don’t hesitate. Thanks!